The American Monomyth

The American Monomyth Author Robert Jewett
ISBN-10 UCAL:B3827203
Release 1988
Pages 331
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The American Monomyth has been writing in one form or another for most of life. You can find so many inspiration from The American Monomyth also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The American Monomyth book for free.

The Myth of the American Superhero

The Myth of the American Superhero Author John Shelton Lawrence
ISBN-10 0802849113
Release 2002
Pages 416
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From the Superman of comic books to Hollywood's big-screen action stars, Americans have long enjoyed a love affair with the superhero. In this engaging volume John Shelton Lawrence and Robert Jewett explore the historical and spiritual roots of the superhero myth and its deleterious effect on Americas democratic vision. Arguing that the superhero is the antidemocratic counterpart of the classical monomyth described by Joseph Campbell, the authors show that the American version of the monomyth derives from tales of redemption. In settings where institutions and elected leaders always fail, the American monomyth offers heroes who combine elements of the selfless servant with the lone, zealous crusader who destroys evil. Taking the law into their own hands, these unelected figures assume total power to rid the community of its enemies, thus comprising a distinctively American form of pop fascism. Drawing widely from books, films, TV programs, video games, and places of superhero worship on the World Wide Web, the authors trace the development of the American superhero during the twentieth century and expose the mythic patterns behind the most successful elements of pop culture. Lawrence and Jewett challenge readers to reconsider the relationship of this myth to traditional religious and social values, and they show how, ultimately, these antidemocratic narratives gain the spiritual loyalties of their audiences, in the process inviting them to join in crusades against evil. Finally, the authors pose this provocative question: Can we take a holiday from democracy in our lives of fantasy and entertainment while preserving our commitment to democratic institutions and waysof life?

Language Blood Sexuality Turning the American Monomyth Upside Down

Language  Blood  Sexuality   Turning the American Monomyth Upside Down Author Ralph Cibis
ISBN-10 9783656425922
Release 2013-05-07
Pages 8
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Essay from the year 2012 in the subject American Studies - Literature, University of Bayreuth (Nordamerikastudien), course: Superheroes and the American Monomyth, language: English, abstract: When considering the American Monomyth, one usually thinks about a tale like Superman or Spider-Man, a selfless hero on a journey to save mankind and to find his place as a Redeemer inside an endangered society. Before 2008, those typical journeys have consistently featured the same patterns: They deal with serious enemies and serious topics, like politics and ethics, they try to avoid the depiction of blood and violence, and they change the reality of sexuality to hyper- masculine superheroes and weak-and-helpless women. But finally, in 2008, time had come to break these standards of narration and to change the reputation as well as the representation of the typical superhero. That is when Mark Millar and John Romita Jr. have released Kick-Ass.

Captain America and the Crusade Against Evil

Captain America and the Crusade Against Evil Author Robert Jewett
ISBN-10 0802828590
Release 2004-06-14
Pages 392
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Grasping this vision honored by Judaism, Christianity, and Islam alike includes recognizing the dangers of zealous violence, the illusions of current crusading, and the promise of peaceful coexistence under international law.

A Necessary Fantasy

A Necessary Fantasy Author Dudley Jones
ISBN-10 0815318448
Release 2000
Pages 410
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This book addresses a variety of issues through the examination of heroic figures in children's popular literature, comics, film, and television.

Marvel Comics into Film

Marvel Comics into Film Author Matthew J. McEniry,
ISBN-10 9781476624112
Release 2016-03-30
Pages 280
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Marvel Studios' approach to its Cinematic Universe--beginning with the release of Iron Man (2008)--has become the template for successful management of blockbuster film properties. Yet films featuring Marvel characters can be traced back to the 1940s, when the Captain America serial first appeared on the screen. This collection of new essays is the first to explore the historical, textual and cultural context of the larger cinematic Marvel universe, including serials, animated films, television movies, non-U.S. versions of Marvel characters, films that feature characters licensed by Marvel, and the contemporary Cinematic Universe as conceived by Kevin Feige and Marvel Studios. Films analyzed include Transformers (1986), Howard the Duck (1986), Blade (1998), Planet Hulk (2010), Iron Man: Rise of Technovore (2013), Elektra (2005), the Conan the Barbarian franchise (1982-1990), Ultimate Avengers (2006) and Ghost Rider (2007).

The Hero and the Perennial Journey Home in American Film

The Hero and the Perennial Journey Home in American Film Author Susan Mackey-Kallis
ISBN-10 9780812200133
Release 2010-08-03
Pages 272
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In contemporary America, myths find expression primarily in film. What's more, many of the highest-grossing American movies of the past several decades have been rooted in one of the most fundamental mythic narratives, the hero quest. Why is the hero quest so persistently renewed and retold? In what ways does this universal myth manifest itself in American cinema? And what is the significance of the popularity of these modern myths? The Hero and the Perennial Journey Home in American Film by Susan Mackey-Kallis is an exploration of the appeal of films that recreate and reinterpret this mythic structure. She closely analyzes such films as E.T., the Star Wars trilogy, It's a Wonderful Life, The Wizard of Oz, The Lion King, Field of Dreams, The Piano, Thelma and Louise, and 2001: A Space Odyssey. Elements of the quest mythology made popular by Joseph Campbell, Homer's Odyssey, the perennial philosophy of Aldous Huxley, and Jungian psychology all contribute to the compelling interpretive framework in which Mackey-Kallis crafts her study. She argues that the purpose of the hero quest is not limited to the discovery of some boon or Holy Grail, but also involves finding oneself and finding a home in the universe. The home that is sought is simultaneously the literal home from which the hero sets out and the terminus of the personal growth he or she undergoes during the journey back. Thus the quest, Mackey-Kallis asserts, is an outward journey into the world of action and events which eventually requires a journey inward if the hero is to grow, and ultimately necessitates a journey homeward if the hero is to understand the grail and share it with the culture at large. Finally, she examines the value of mythic criticism and addresses questions about myth currently being debated in the field of communication studies.

From Rugged to Real Stan Lee and the Subversion of the American Monomyth in Theological Anthropology and Marvel Superhero Comics and Films

From Rugged to Real  Stan Lee and the Subversion of the American Monomyth in Theological Anthropology and Marvel Superhero Comics and Films Author Anthony R. Mills
ISBN-10 OCLC:719384155
Release 2010
Pages 642
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This project explores what is sometimes referred to as the "American Monomyth," a specific archetype for heroic action unique to the United States and expressed in several of its cultural artifacts. It begins by surveying the broad historical, theological, and philosophical roots of this monomyth and their expression in early American literature, focusing especially on the anthropological positions evident therein. Chapter Two then discusses the monomyth's anthropology as manifested in early American superhero comic books from 1938-1961. Chapter Three turns to consider the pivotal shift in superheroic portrayals of the human inaugurated by Stan Lee and Marvel Comics in the early 1960s and still pertinent today. Specifically, heroes went from being independent to communal; certain to dubious; simple to complex; autonomous to accountable; and exclusive to tolerant. At the same time, many Christian theologians, even those from vastly different cultural backgrounds, were likewise challenging, and continue to challenge, traditional formulations of what it means to be human. In Chapter Four I attend to six key American thinkers who not only demonstrate relational anthropologies in their own formulations, but also criticize various aspects of the American monomyth. It would seem that as we move further into the twenty-first century, presentations of human personhood in American comic books and theology continue to share similar convictions and respond to mutual concerns. The recent films based on Marvel characters, like their printed source materials, continue to question traditional American conceptions of human personhood and offer alternatives. At the same time, the films offer unique expressions of the Marvel stories due both to the distinct medium of film and its role in American life and to differences in cultural concerns since the 1960s. This is the topic of Chapter Five. Finally, the Conclusion draws upon the insights of the last three chapters to offer four anthropological proposals toward a constructive alternative to the American monomyth.

Standing on the Premises of God

Standing on the Premises of God Author Fritz Detwiler
ISBN-10 9780814719145
Release 1999-12-01
Pages 331
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What ends do we expect and hope to serve in punishing criminal wrongdoers? Does the punishment of offenders do more harm than good for American society? In The Case against Punishment, Deirdre Golash addresses these and other questions about the value of punishment in contemporary society. Drawing on both empirical evidence and philosophical literature, this book argues that the harm done by punishing criminal offenders is ultimately morally unjustified. Asserting that punishment inflicts both intended and unintended harms on offenders, Golash suggests that crime can be reduced by addressing social problems correlated with high crime rates, such as income inequality and local social disorganization. Punishment may reduce crime, but in so doing, causes a comparable amount of harm to offenders. Instead, Golash suggests, we should address criminal acts through trial, conviction, and compensation to the victim, while also providing the criminal with the opportunity to reconcile with society through morally good action rather than punishment.

The Art of Educational Leadership

The Art of Educational Leadership Author Fenwick W. English
ISBN-10 9781452278803
Release 2007-08-14
Pages 248
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"English successfully challenges the established educational community to rethink the current state of research on school leadership in the social sciences...The inclusion of theory, discourse, and stories of recognized leaders followed by chapter learning extensions that include key concepts, movie recommendations, and prompted reflective journaling makes this book a most valuable resource for the educational leadership community." —H.J. Bultinck, CHOICE "The Art of Educational Leadership provides one of the most complete examinations of leadership that I have encountered. I admire the way it urges students to think and reflect. The format allows individual learners to focus on those materials that best fit their learning style while the numerous presentations of a single topic through the different modalities strengthens the learning. This text is a fresh, new look at leadership..." —Louise L MacKay, East Tennessee State University "Fenwick W. English returns to themes of leadership he explored in more than 20 earlier books and dozens of presentation to educator audiences. He favors "re-centering educational leadership in the humanities," rather than acting on the recommendation of the business literature, and he emphasizes the use of films as a way to humanize leadership concepts." —THE SCHOOL ADMINISTRATOR "Excellent cogent analysis of key concepts of leadership are presented in a reader friendly style." —Saul B. Grossman, Temple University Moves beyond established notions of leadership to recognize that effective leading is about drama and performance—artistry! The Art of Educational Leadership: Balancing Performance and Accountability stresses the human side of leadership. No other text on this topic demonstrates so ably the importance of artistry in leadership in a field that has been lopsidedly dominated by concepts informed by science. Presenting the idea that leadership is an art, this book: Exemplifies a balance between the science and the art of educational leadership: The real improvement of practice is rooted in the art of application, which is about context and represents the key to leadership practice. Connects content material to self-discovery: Exercises at the end of each chapter include creating a personal, reflective journal to engage the reader in and reflect upon theories and practices presented in the book. Films are suggested for viewing to illustrate the interaction between context, culture, decisions, and outcomes. Portrays multicultural leadership in action: Biography boxes throughout the book share how multicultural educational and political leaders who have been recognized as "expert" practitioners learned the art of leadership in the public arena. This is the first book in educational leadership to sketch out a balance between the science and the art of the field. The text illustrates how performance and practice represent the art, while the delineation of the skills and conceptual models represent the science.

American Theology Superhero Comics and Cinema

American Theology  Superhero Comics  and Cinema Author Anthony Mills
ISBN-10 9781135014377
Release 2013-10-01
Pages 216
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Stan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth’s assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns.

The Hero with a Thousand Faces

The Hero with a Thousand Faces Author Joseph Campbell
ISBN-10 9781577315933
Release 2008
Pages 418
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Discusses the universal legend of the hero in world mythology, focusing on the motif of the hero's journey through adventure and transformation.

Star Trek as Myth

Star Trek as Myth Author Matthew Wilhelm Kapell
ISBN-10 9780786455942
Release 2010-03-01
Pages 239
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In the past, the examination of myth has traditionally been the study of the "Primitive" or the "Other." More recently, myth has been increasingly employed in movies and in television productions. Nowhere is this more apparent than in the Star Trek television and movie franchise. This collection of essays on Star Trek brings together perspectives from scholars in fields including film, anthropology, history, American studies and biblical scholarship. Together the essays examine the symbolism, religious implications, heroic and gender archetypes, and lasting effects of the Star Trek "mythscape."

The New Gods

The New Gods Author Harold Schechter
ISBN-10 087972868X
Release 1980-01-01
Pages 172
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Harold Schechter looks at the impossible tales and images of popular art--the space odysseys and extraterrestrial civilizations, the caped crusaders and men of steel, and monsters from the ocean floor--and finds close connections between religious myth and popular entertainment.

The Monomyth in American Science Fiction Films

The Monomyth in American Science Fiction Films Author Donald E. Palumbo
ISBN-10 9780786479115
Release 2014-10-22
Pages 204
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One of the great intellectual achievements of the 20th century, Joseph Campbell's The Hero with a Thousand Faces is an elaborate articulation of the monomyth: the narrative pattern underlying countless stories from the most ancient myths and legends to the films and television series of today. The monomyth's fundamental storyline, in Campbell's words, sees "the hero venture forth from the world of the common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons to his fellow man." Campbell asserted that the hero is each of us--thus the monomyth's endurance as a compelling plot structure. This study examines the monomyth in the context of Campbell's The Hero and discusses the use of this versatile narrative in 26 films and two television shows produced between 1960 and 2009, including the initial Star Wars trilogy (1977-1983), The Time Machine (1960), Logan's Run (1976), Escape from New York (1981), Tron (1982), The Terminator (1984), The Matrix (1999), the first 11 Star Trek films (1979-2009), and the Sci Fi Channel's miniseries Frank Herbert's Dune (2000) and Frank Herbert's Children of Dune (2003).

The Great American Whatever

The Great American Whatever Author Tim Federle
ISBN-10 9781481404112
Release 2016-03-29
Pages 288
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From the award-winning author of Five, Six, Seven, Nate! and Better Nate Than Ever comes “a Holden Caulfield for a new generation” (Kirkus Reviews, starred review). Quinn Roberts is a sixteen-year-old smart aleck and Hollywood hopeful whose only worry used to be writing convincing dialogue for the movies he made with his sister Annabeth. Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before the car accident that changed everything. Enter: Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—okay, a hot guy—and falls, hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.

Captain America Masculinity and Violence

Captain America  Masculinity  and Violence Author J. Richard Stevens
ISBN-10 9780815653202
Release 2015-05-26
Pages 385
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Since 1940, Captain America has battled his enemies in the name of American values, and as those values have changed over time, so has Captain America’s character. Because the comic book world fosters a close fan–creator dialogue, creators must consider their ever-changing readership. Comic book artists must carefully balance storyline continuity with cultural relevance. Captain America’s seventy-year existence spans from World War II through the Cold War to the American War on Terror; beginning as a soldier unopposed to offensive attacks against foreign threats, he later becomes known as a defender whose only weapon is his iconic shield. In this way, Captain America reflects America’s need to renegotiate its social contract and reinvent its national myths and cultural identity, all the while telling stories proclaiming an eternal and unchanging spirit of America. In Captain America, Masculinity, and Violence, Stevens reveals how the comic book hero has evolved to maintain relevance to America’s fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America’s adventures and places the unfolding storyline in dialogue with the comic book industry as well as America’s varying political culture. Stevens shows that Captain America represents the ultimate American story: permanent enough to survive for nearly seventy years with a history fluid enough to be constantly reinterpreted to meet the needs of an ever-changing culture.